Thursday, November 20, 2025

Woodwork Postponed, Painting Repair and Restoration

I'd hoped to rout new shelves, but it was too cold and I feared the dampness of my visible breath. Tested the new 12mm bit. The channel was too small for 12mm MDF, I wondered if the cold made the channel smaller, but perhaps not enough to make a difference. I'll aim to do this tomorrow afternoon, a still cold 5 degrees due, but better than a week of rain also forecast.

Then, work on painting restoration. After the first patch, a second yesterday to level it, and today a first application of paint.

This evening, an update to Prometheus to return the amount of pre-start silence at the start of a song; then a migraine on the left side of my head which continues agonisingly. I want to sit in the dark.

Wednesday, November 19, 2025

Fame at Last

Begun with singing some quick vocal for 'The Trees'. I had only about 20 minutes spare, so made the most of the time.

Then, a full day of admin on Christmas Tails and the new single, Will You Be My Snowflake? Time was when I'd finish an album and move on, now the finishing stage is full of work, which at times seems never ending. I filed Christmas Tails and sent out an email to all of the artists with a vital update. I noticed that today's Crewe & Nantwich Chronicle has a huge story about the album, so I thought this was the best time to list the album.

So, I did this, and added all tracks with lyrics, credits, ISRC and ISWC codes, and other details. This will be invisible to purchasers for now, apart from the first overture track, but it's still vital. Then, sending a preview to all artists.

Then, work on the Will You Be My Snowflake? single. Transcribed the sheet music for the two other tracks, this took a few hours. 'Heaven's Day' had to be entered manually. After that, registration of the music in various places. Musicbrainz should now (or should eventually...) list all of the tracks and artists for both albums. This meant creating the first official listings for many of the contributors, such as The Forrest Dick Band (Mick Dick and Mortimer C. Forrest, both of which are aliases).

I also had time to test the new router bits. They seemed to fit but I didn't give them a spin. I now have an urgent need for new shelves. The old ones are sagging millimetre by millimetre each day. Last night another DVD fell over due to shelf droop. We live and learn. I've removed all of the contents now. I've decided to get 5th wall bracket to ne fitted below and in the centre to reinforce everything. There is something inherently unstable with holding a rack or cabinet by the sides rather than underneath. I'll do both for iteration 2.

This evening I see that the miniature that David Lawton has painted of me is currently on exhibition in The Royal Miniature Society exhibition at Bankside Gallery, London, not far from Tate Modern. I feel famous today. Photo by Tom Mulliner.

Tuesday, November 18, 2025

Christmas Tails Overture, Will You Be My Snowflake Single

A super day of music work.

Started by creating an overture track for Christmas Tails. I needed a track that would be free to pre-buyers of the album, and one that acts as the free preview for browsers. It's an impossible choice to choose one of the tracks, which I consider equal, so this solves the problem. Like before, it's a medley which includes all tracks, but I with a church organ blasting out some festive sounding chords behind, where every chord seems to be suspended with Catholic cadences until the joyous C-Major at the end.

Then, work on a cover for my 'Will You Be My Snowflake?' single (with newly added question mark to the title). I'd already formed a sort of small album, with three tracks, and had thought about expanding it into 4 or 6, but then it wouldn't be ready until next year, by which time things may have changed and these may feel out of date. Up against a time wall I've decided to release them in mid-December.

The cover started with a photo of myself and some experiments with a snowflake fractal. That didn't work, so I tried a leaf brush acting as a negative mask and that looked rather pretty. Then text choice and placement. The whole thing took a couple of hours. The final touch was a star/snowflake sort of shape made using Genetica. Here is the finished cover:

After that, creation of the iTunes Digital Booklet (complete with lyrics), dividing the tracks, sending them for distribution, and the start of listing them in my catalogue. I still need to work on the sheet music and many other details; but that completes my 12th release of 2025, with The Modern Game already planned for the first month of 2026. A bumper year for new music.

In between I've worked on Christmas Tails a few times. This evening Andrew sent in a new version of his track, so the album is now complete. I'm awaiting a few small details for the filing process, and lots of background admin now needs to be done. Last time I filed it all with Musicbrainz, and will do the same here.

A last job of the evening was a two mile walk in the rain to collect my new router bits.

Monday, November 17, 2025

Christmas Tails Assembly

A full day of work on Christmas Tails, so much work. First working out the track order, setting the basic per track details and filing all of this. Then setting the master levels, and dividing the album into tracks. Plus, the visible track lists and lengths for the CD artwork, checking the lyrics. Lots of jobs.

One snag is the need for one 'free' track or one 'showcase' track, which is a key feature of Bandcamp. This was the reason I created a medley last time, a sort of overture. I may have to do the same here.

I listened to each track and checked the lyrics word by work as I listened. Amazingly (apart from my track, and Deborah's, of course) only one track, John Lindley's, had the completely correct lyrics. Each had at least one mistake, but one song clearly had 'first draft' lyrics with whole lines being different.

Here, exclusively for you good people, is the track list and order so far...

It may yet change. The release date is set for November 28th but people can pre-order it now.

Sunday, November 16, 2025

Shelves Foiled, Mostly Modern Game Work

Awake for hours, ready to charge with great energy into routing my new shelves, on this, the warmest (well, mildest, at 11 degrees) and driest day for a few weeks. I woke early, assembled the wood, the hoover, rulers, and everything... but hit s snag. I'd not used the 12mm router bit, and the two that my father had used imperial shaft sizes - how I hate inches! The router comes with a few collets, but none would fit either of these, which is even more stupefying as almost all router bits come in a limited range of sizes. I sighed and was resigned to buying a new bit with the correct 8mm shaft. B & Q didn't have any (the very limited ones on offer, again stupefying, were also in inches. If I were prime minister I'd tax every device that features inches, pounds, pints, miles; it would raise money and help engineering). I ordered a set online, so must wait days, and now, my shelves which could have been completed today will take weeks. I should have tested the 12mm bit far earlier.

After that, a productive day of music. First, updating the cover artwork, and creating the 14 page iTunes Digital Booklet.

Here's the final cover (ta da!):

Then mixing the album again. In the night I thought it would be a good idea to release my Christmas song, and it's fellow two songs, as a single or EP now, rather than wait a year, so I've manically worked on mastering this. A single today has 3 tracks at most, but an EP 4 to 6, so I've toyed with making a new one. I looked at some existing songs and found a sequence inspired by Matt Gray's theme to Dominator on the Commodore 64. I quickly wrote some words on what this time of year is like; currently entitled 'Burn Me Cold':

Burn Me Cold

Dark dark November
Frigid in my bones
Everybody needin'
Money running low
It's a black white season
Don't I know

Windows are a leakin'
Saving up the mould
Give me some salvation
Dear dear Lord
And the screens that I stare at
Burn me cold

Later on, some initial mixing and track ordering for Christmas Tails. Work on that will start tomorrow.

Onwards!

Saturday, November 15, 2025

The Modern Game 4 Continues, Shelf Marking

A full day of work on The Modern Game, 4th version. Created a new edit of the 'Masculinity Two' video for the longer album version, and new lyric overlays for 'The Games Played As Children', and added the new (much better!) vocals for this.

Then more work on the cover, small changes. I've mirrored the 'stave' image, placing it on the left. Then created the CD surface artwork, and more on the rear. Then small updates and fixes to the lyric booklet. Most of the artwork is now done in draft, though the images for the iTunes booklet remain.

Then final volume setting, for mastering, and lots more mixing and adjusting. 'Beyond Mars' gets brighter and brighter with each edit. The pianos are now brash and tinkly compared to the original mix; but they need to be, there are so few high frequencies here. There's more mixing to do on all tracks.

I still need to work on new videos for everything, though I hope that I can use the little animations I've created as Spotify Canvases. I expect it'll be 2 or 3 days work to make 10 or so videos, so this simple remaster will still take 3 full weeks, almost all of November.

Also today, work on the new shelves, marking out. The weather is set to rain and be very cold, so I must work on shelves tomorrow. Only 8 degrees, but still the warmest day, and so the best for spray painting. I have very limited resources here, and must pull the semi-dry work inside to dry after spraying. Steps: routing, spraying, assembly joint by joint, fitting to wall to mark and drill, final fitting.

The Christmas Tails tracks are all in. I need to organise these and master the album next week. This must, and should, take a day.

Just watched a documentary about Richard Burton. Inspirational, at any age, even as I approach the age at which he died.

Friday, November 14, 2025

Painting Repair, New Modern Game Cover, Deadlines

A busy day, as well as an angrily miserable one due to the dark weather, persistent rain and dark outlook. I was told yesterday that I was doing fine, as I had a legacy. For whom, exactly? I seem to be terminally obscure. From games, books, paintings, music; nothing is remotely popular or remotely valued. Well, all I can do is keep creating and trying to improve in my creations.

Started today by printing some photos from 2024 events. Then some work on a painting restoration job. I need to patch a torn canvas and repaint to cover the damage. It's a cheap cotton canvas, barely stretched and the wedges were not correctly used. I thought that a very thin cotton patch would be best, almost like silk. I found a white cotton handkerchief for this. I considered two main options for glue, either Paraloid B72 resin; an acrylic resin which is solvent based and archival, or PVA. Acrylic medium is possible, and stable, but it becomes waterproof and hard to remove. PVA remains soluble, and forms a hygroscopic relationship with the canvas. PVA can become mouldy.

I has a spare small canvas of the same material, so performed a test.

The B72 was my primary choice. It was difficult to apply as expected, with a mix of resin and acetone. The resin seeped through the canvas and left a thick hard gloss finish where visible. The patch was somewhat stiff when dry. The PVA discoloured the area with its water, but I expected that this effect would be minimal on a painted surface, and the result was a lot less messy. I chose PVA, using a 1:1 PVA:water mix, less water than in my test, then added a layer of Golden GAC400, an acrylic stiffening agent.

The result was good, though the tear in the painting remained concave, mirroring its shape from the front, as though the canvas was stretched and dented by an impact. This may be difficult to fix; removing any dent in semi-rigid fabric like this may be impossible, it's a bit like removing a dent in a sheet of tin foil. However, I plan on adding a thicker and stiffer patch over this, made from the test canvas.

After that work, I got to work on The Modern Game artwork. I like the Marius cover, so the main job is changing the name. As with Marius, I drew the name by hand. Here it is so far:

Then, work on the vocals for 'The Trees' and 'The Games Played As Children'. They are adequate, certainly better than the old ones, but I didn't feel in the mood and felt tired and restricted. I may re-record everything.

Throughout the day I've also worked on a new music pack for Flatspace, one for Another Violet Night.

It's now one day until the deadline for the Christmas Tails tracks. All of the tracks bar one were sent in weeks ago, and I'm still waiting for one. I have zero tolerance for people who miss deadlines. Deadlines are an excellent test of honesty and reliability. Not one minute's grace will be offered.

Thursday, November 13, 2025

Singeth Sheet Music, CD Shelves II Begin

A slower day today which included a nice visit from a friend.

Several hours were spent working on the Fall in Green sheet music for our Christmas Tails entry, 'Singeth To The Body Winter'. It's a simple tune and took far longer than expected. It is in essence a string quartet, so it is scored as such. There's a clarinet in there, I may add that later.

Then, sawed some wood for 'CD Shelves II'; a second, hopefully improved, version of the first rack, which are too weak. These will use 12mm MDF throughout, have a vertical spine which runs from top to bottom, be spray painted before assembly, and have each joint fixed and glued once at a time over several days rather than all at once, with the aim of greater angle accuracy and less internal stress. The next step is the 12mm routing. I did the sawing today outside as today looks like the only dry day within the next two weeks.

Nothing else done, yet my to-do list is bigger than ever.