I will start work on the underpainting of my latest painting tomorrow, a complex portrait that explores perspective which looks a little like an M. C. Escher image (as such, adding emotion to negate that awful "cleverness" that his pictures solely emit was important).
That, and seven other paintings are now in varying stages of completeness; three have been sketched and await underpainting, four await the first and most important glazing layer, and one, The Joyous Birth of the All-New Transhumanic Super Beings is in need of the merest and most zephyrous and translimnetic of top glazings.
