Wednesday, December 30, 2015

The Love Reliquary II Part 2

More reliquary work. So, the oak was bent, like most natural wood will be. Oak is a heavy dense wood but can have a dry and flaky texture that can split and change shape, especially as it dries. For the base of this artwork I needed a level surface, but also I wanted to stop the bark falling off over the years/centuries. Perhaps that's inevitable, but how can I minimise this?

I could inject glue, but adding more materials can cause more harm than good, as it will introduce new stresses. Generally, the simpler the better. I first cut and stuck a piece of 3mm MDF to the base, this will hold the thing together should it think about flaking. MDF is one of the most stable wood composites, it holds its shape really well. The base still wasn't flat though, that MDF curved inwards to mirror the bend of the oak, which isn't bad, it needs a tight fit to bind it. A second flat piece is needed, and some filling in the gap, so I stuck a second piece on, with wood filler between. Perhaps tile glue might have been a better choice. All fillers have different properties. Some more dense, some contract, some more flexible, some more adhesive. I went for a plain filler, as it was dense and reasonably heavy (for the base of a heavy object, this can be important). After sticking, I had a flat base...

Then I painted the edges of the MDF to mimic the look of the bark. The MDF is recessed a little, so that even if plain black or a neutral hue, it would look okay, this part will hardly be seen, yet, I thought it would be nice to mimic the bark a little. I used acrylic paint and more wood filler to add texture, although this time I used lightweight glass based filler which is less dense and has a foamy texture.

While doing that I stuck the doors together, checking that the paintings fit inside. The edges of these are all rough and uneven. I'll sand them all flat. Sanding the inside is tricky though, or nigh on impossible to get right with my equipment. For this we can set dreams of perfection aside, although there are many decoration opportunities.

Sunday, December 27, 2015

The Love Reliquary II Part 1

The Love Reliquary was my first cabinet artwork, that is it was mostly woodwork, with painting added. It took so many months to make and all new techniques. The result was good, but very rough around the edges. It was extremely delicate, had 200 leaves of 24 karat gold all over it, and was so delicate that it's only been shown in public once...

It had some successes as a work of art and craft, but many failures. Some crucial elements were missing or lost (such as the poem on the front) the paintings were difficult to remove without risking damage, and the base was crude in appearance and function. So, two years ago I started work on a second cabinet. It will contain the same paintings as the original work...

The last two years have been tumultuous. The artistic successes of 2012 led to some acclaim in 2013. I exhibited around the country more in 2014, but that was a little like a solitary travelling salesman. I showed in London from August onwards, fell in love for the first time and spent all of 2015 coming to terms with the end of that, and was forced to severely limit painting due to lack of space. The only growth of that year was in live performance, piano playing, and exhibition experiences with two solo exhibitions including my first in London, and three months helping to manage an art retail space. All of those things were the best lessons in the business of exhibiting art and putting on a show.

This year marked my 10th year as an artist. I can barely learn more in craft or exhibition experience (piano playing excepted!). Now it's time to focus on producing the greatest works. My ambitions have rarely been greater. I wish I had the time and money to enact them all (donations welcome, and/or an orchestra or museum!), but I will enact those I am able to enact!

And so time to re-visit The Love Reliquary. The start is the simplest of forms, a plain chunk of wood which will form the base. The first reliquary was largely pine and plaster coated with epoxy casting resin. The new one will be M.D.F. with resin-cast doors and solid brass hinges.

Saturday, September 26, 2015

ArtsLab Two Hour Launch Special

I'm now writing/editing this post at 09:07 on 12th September 2023. Originally this post marked the first ArtsLab episode, my first RedShift Radio broadcast. From that point, and for the next two-and-a-half years I blogged my ArtsLab programmes here on this blog. On Sep 10th, 11th, 12th 2023 I decided to create a separate ArtsLab Archive blog instead (like I did with ArtSwarm), so copied those posts there and removed them from this blog. You can find a link to the ArtsLab archive on this blog somewhere.

This post remains as a reminder of what those posts originally looked like. At some point after I left RedShift Radio the ArtsLab playlist was removed from MixCloud. RedShift became a community podcast-creation hub rather than broadcasting 'live', and at that point stopped being a radio station. The RedShift people felt more like a family than a work team, and all of my memories and experiences of ArtsLab and RedShift were happy. It was an honour to be part of Crewe's and Nantwich's smallest and best radio station.

ArtsLab with Mark Sheeky
Show Zero
Broadcast on RedShift Radio 23 September 2015, 2pm to 4pm BST.

Richard Strauss, Also Sprach Zarathustra (1896)
Kate Bush, Waking The Witch (1985)
etc.

All past ArtsLab programmes can be listened to on Mixcloud.

You can listen live during the broadcast on www.redshiftradio.co.uk.

Saturday, August 29, 2015

Northern Artists: Eclectic Mix II

My art is in flux , as it has been for a few months, unsure of where to focus energy best, and trying new performance ideas. Today though, I've been at a meeting for this which opens next month. I'm one of 50-ish artists showing work and I'll be playing a newly composed piano piece at the public opening on Friday the 25th.

Northern Artists is a large and diverse group of artists formed on Facebook. Most of us are in the Cheshire and North Wales area, although at least one member is 200 miles or so south (but, still in the northern hemisphere)! Eclectic Mix II is our second group show, and as the poster says runs 23rd September to 5th November at Castle Park Arts Centre, Frodsham. The public opening is on Friday 25th.

Wednesday, July 08, 2015

The Anatomy of Emotions

Unforgettable live art performance coming in two weeks.

Saturday, June 27, 2015

Thought Atom

The ideal artist is eclectic and works on several different art projects at once. I feel I'm more eclectic than most! Over the past few months I've oil painted in public, dressed a venue with Sabine Kussmaul and painted live in inks, completed an ink-blot workshop, played piano live, released my first album of songs and, now, created a totally new line of artwork that is abstract and stylish, with a new name Thought Atom.

These artworks are on beautiful Asian plywood, covered with bright white textured plaster, surrounded by black pine with aluminium and stainless steel studs, then topped with a sheet of polished perspex, painted with the best and brightest Golden acrylic paint to create some of the most physically complex and stylish artworks I have ever made.

Tuesday, May 26, 2015

Desire and Happiness

I want to have a home of my own, but I don't have one. This feeling makes me sad. Why? Secondly, there is some fancy chocolate in the house and I often like to have a piece. Wanting this makes me happy, even though, like a home, I haven't obtained it.

A Buddhist might argue that desire itself causes sadness, yet in my desire for chocolate, with the knowledge that I can have it, made me happy. Anyone who has fed an expectant pet, or seen a child on Christmas Eve, keen to obtain an anticipated present the following day has seen that desires can create happiness. One could argue that this desire is avaricious (a word rich with the emotive language of religion and sin!), but no matter what, this feeling is clearly positive, even in the dog!

Desire, perception of want, is fundamental to happiness and sadness. The important thing is whether you believe you can get what you want. A hungry man on the street, penniless and staring in through the window at a restaurant might be sad. A hungry man in the same circumstances, but with money and staring through the window in anticipation of going in and eating might be happy. The circumstances are the same, except for the expectation.

To want something and expect to get it then can make us happy, and to want something and not expect it can make us sad. What if this expectation was unreasonable, such as expecting to win a lottery jackpot next week? This expectation can make us happy, until the draw occurs and our hopes are dashed. That event would plunge us into sadness because we would have misinterpreted reality. We would be forced to accept that our expectations were false, and that next time, we should not expect such things, even though that expectation made us happy for an entire week.

In those circumstances, the loss of facing reality should feel more painful than the pleasure of the expectation. If it were otherwise, we wouldn't have any motivation to learn or to face reality, we could happily remain delusional for our entire lives, but almost certainly to their detriment. The starving man wouldn't need to look for food, because he'd expect it no matter what, and without looking for food, he would eventually starve.

(This is an unrealistic scenario though, as in a life or death circumstance such as starvation, the man's body would tell him quite firmly that he'd better go out and look for food, thus forcing a "reality check" on his delusion. Perhaps the same is true of love, so it's not quite yet proven that heartbreak must feel worse than love feels good!)

So reality is important, and so perhaps the best expectations should be realistic ones. But, what if we could expect something good that could not possibly be disproved, what then? What if we were to expect something amazing to happen to us after our deaths, eternal fame as experienced by Vincent van Gogh, or eternal joy in heaven? As this expectation couldn't be disproved, it would have the capacity to make us happy for the entirety of our lives, making us feel better without the possibility of facing reality. Nobody could ever prove to us anything about a future beyond our lives. So, are delusions of this sort are universally beneficial? If so, why doesn't everyone have them? Many religious beliefs are centered around what might happen after death, so perhaps this is why. There is at least one downside to these delusions, that nonsensical beliefs that cannot ever be proven or disproven start to spread and affect society as a whole in a harmful way.

In the real world, however, there are more than definite possibilities and definite impossibilities, in fact most things that we might want are possible to some extent, merely varying in likelihood. The lottery win may have been possible theoretically, after all, but other things such as wealth, a sunny day tomorrow, popularity among friends; the possibility of these wants can be difficult to assess, yet the belief in them is vital to happiness. Because of this, confidence in our ability to obtain our wants is linked to happiness.

If you confidently believe that you will eat in that fancy restaurant, and can achieve that goal, then you will become happier. If you don't expect that you will eat there, you will become sadder. The only difference is your perception of the likelihood of achieving your desires, which can continue until the desire is definitively met, or definitively not met; an outcome which might have a time limit, or may not, depending on the nature of the desire.

So, if this is all true, then an instant way to become happier is to believe that you will get something, a reward, but, if this is unlikely, you must ensure that there is no time limit to your desire. Truly believing that you will one day own a huge mansion would make you happier, providing you don't mind waiting forever for it. Truly believing that you will achieve some great "Vincent van Gogh-ian" success after your death would make you happier. These beliefs can not be proven to be impossible, and so your desires for these positive outcomes will never be truly unrealised or quashed by mere reality.

There is a final amusing twist to this, because once you achieve a desire, the happiness that desire created vanishes. If you wanted money, and knew you could have it, that expectation would make you happier than actually obtaining the money. This is logical because life and experience is about moving toward something, gaining, not standing still, not owning.

Money, in this example, might increase happiness indirectly though, by making it easier to obtain other things. Money has that property. It makes it easier to gain other things, but remember, it's not gaining things that creates happiness, it's the belief that you can do so. So perhaps, being confident that you can make money if needed, and being confident that you can make friends if needed, and being confident that you can get any resources you need, if you really needed them, is best of all.

Wednesday, May 20, 2015

ESAUM

So much to report! How fast time shoots by.

First, I've decided to paint only spectacular works again. I often waiver between being as expressive and loose as possible, or technical finery. No path is correct, but I must prove, at least to myself, my complete belief that I can paint as well as any old master. So with a few future works, I will try.

Second, yesterday I performed live music with a band of others for the first time. It was great. I was mostly on keyboard. I must learn (or relearn) a few guitar chords. The event was an art collaboration with artist Sabine Kussmaul in Macclesfield. We designed an area, draped with paper and textiles, and in this installation played music and painted live with others, any artists and musicians that came and went, for six hours. It was a great experience that we aim to repeat.

Third! My next exhibition ESAUM is due to open on Friday. Why show art when art is a show? For this, the hallowed artists that take part will have their art blessed. The artists will be blessed, and those that come, in the Egyptian ceremony that I will enact.