So many new ideas in progress! Such excitement. I've said this before, art should have structure and I'm working on new art shows that create curated structural forms that reflect two-dimensional art works like subtle rhymes in poetry to create new things, new feelings and presentations in shows that are multi-sensory, multi-emotional and multi-media. I aim to combine 2D art, words, music and other senses into experiences that transform and convey in exciting ways. I'm now reformulating all of my works towards this.
In music, fragments are often written here and there, picked up, notes, transformed, and then these simple motifs are expanded. I started to do with in images right at the beginning, inspired then partly by fractals, in paintings like The Migraine Tree, where the eye repeats in different forms throughout the image.
This is internal structure, unified by the eye, which varies. It is always important to see the whole structure of an artwork, and an art exhibition (event, show, creation, there is no adequate word for these things) is exactly the sort of thing that demands a global structure. It is exhibitions that use this global structure which I will develop this year.
This is an extension of a process. All of my exhibitions so far have been themed, and from the start I have instinctively aimed to create structures like this; The Seventh Circle exhibition, for example, divided the venue into Heaven and Hell with a curtain, each half playing different sounds, heavenly and hellish music, each half lit differently too. The Phenomenology of Love extended the concept to create many different areas for the paintings, each lit and sounding differently and with different decor.
From now on I'll fix and then create works specifically for these concepts, and so begin to build a new class of art symphonies.