Monday, July 08, 2024

Drive Videos Day 2

Another long and epic day making music videos. These take a lot of work, but I have a feeling that nobody in the world can make 14 videos like these in two days. I'm loaded with creative energy. If I had time to make full videos for these songs, with camera work etc. then I'd do things differently, I'd add more. All art is about limitations, and trying ones best within them.

Today involved work on the more complex songs. Excessive Consumption was a surprise in how good it looks, considering its not much more than an electric cube which pulses to the beat. Several videos track an instrument, and there are minimal intellectual links to the songs; that is images that match the lyrical content. That would be ideal, but these videos are primarily there to provide something better than nothing, a simple animation related to the album artwork.

'Mister Moan' features some Victorian looking doors, and a graveyard for the second chorus. The epic 'Incomplete Version Of The Writer' doesn't have much, but features an image of Agatha Christie, some typewriters, and excerpts from the lyrics, all to far better effect than no video. 'Cat Parasites' is little more than fog and other elements from the album art, but some instruments are echoed in dancing lights; and 'An Autumn Tale' has falling leaves and some distant trees.

In Argus, I've used modulator attachment a lot this time, more than before where I'd typically create a new actor. This seems to work better (it reduces the quantity of actors for certain), although there's not much difference. The point of Argus is that it can do the same thing in many different ways.

Many of these videos are very simple, such as 'Go To Bed And Miss Me', which is a delightful flight through a summer sky; but even the really simple ones have a surprisingly nice feeling. The 'Anyone Can Fall In Love' video is little more than a pulsing, glowing heart which falls away, but it seems to match the song well. I haven't done anything for 'What Has Happened To My Dreams' yet. I have a clear idea for a more in-depth video for it, but may just use Argus.

For two days work, a lot has been done. I expect it will all take at least one more day.

Sunday, July 07, 2024

Drive Videos, Argus v1.42

A full day of work on some simple videos for the tracks on A Drive Through The Town. As with We Robot, the idea is a YouTube version of a 'Spotify Canvas', initially a simple loop. In practice these are much more sophisticated, and match the music and its changes more closely even if the content is reduced compared to a full filmed video.

I've managed a good start on all of the 13 songs so far. I needed the feature to 'kick' a cube in scale every time the bass drum hit in Style Guru, but doing this with a Start command would reset the spinning angles too. I could get around it by setting the Start values to match the exact values at that time, but when I need to import a lot of (up to 100) frame values for the drum, this is difficult. The best solution would be to use Set Modulator events, so the size modulator is reset on each beat while retaining all other parameters in progress, but there was no way to import and create (or even convert) Set Modulator events, so I added this feature today, and thus upgraded Argus to v1.42.

It's been a very full and busy day, and I'm perhaps not halfway through this huge job.

In other news, I completed the Vermeer frame last night, it works to plan. I'm now ready to proceed on that painting. I'll complete these videos first. The low number of views/listens of the new single has reminded me of the importance of these videos.

Saturday, July 06, 2024

Statement Admin, Vermeer Frame Border

Have worked a full day yet feels like I've done little. Spent the morning updating my Artist's Statement and Bio to reflect my 2024 outlook, and the huge list of exhibitions and publications.

Then, work on the new 'Vermeer' frame. The circuit board on panel protrudes by 6 to 9mm, so I needed to fit a 6mm border around 80% of the painting, letting the circuit board take up the rest. I needed some 6x6mm wood, so bought that, then cut it to size with a blade rather than a saw (a Japanese pull saw would be useful for jobs like this). It needs to fit very exactly in the frame recess, there's only about 6.5mm there. I cut some mount board to fit closely, then stuck the wood pieces to that while it was in the frame:

When I remove the card bits, it should be the right size. I'll paint it black as this will be partly visible, then all will be ready for the painting.

After that job, I added a couple more works to the Saatchi Art site. Before October I'll have to increase my art prices to reflect new gallery commission rates. I can already imagine a time when my art on Saatchi will be ten times these prices, or perhaps taken down completely. Important moves in my art are coming. Fate will see.

Time is short. If I had a wand, what would I do instantly? I have many ideas. I really need to complete music videos for all of A Drive Through The Town. Simple videos will take 2 or 3 days. I'll perhaps put some painting studies on sale on eBay too. I had thought of making a video show this year, as readers will remember, but with each iteration of thought it becomes more complex. I need some clear idea of what sort of video series to create and why.

Friday, July 05, 2024

Website Update

Awake almost all night with awful stomach pain, in contrast to much of the country whom were awake listening to (or watching) the election results. I've spent today updating the text for the 800-or-so oil paintings on my website. Though a useful job, and a tedious one that has taken all day, I've done it mainly because I'm not quite well enough to face doing more serious work.

Thursday, July 04, 2024

Circuits

A nice visit to the recently opened and very good Drift Gallery in Nantwich today.

Most of the day was working on the new panel painting, the underdrawing and the marking of the holes. My conundrum: If you flip the circuit board below over, how do you ensure the holes you'll mark and drill in the panel are in the exact place of those three nuts?

There are many options. The unevenness of the circuit board complicates some of them, such as laying over tracing paper. In the end I rolled out a layer of plasticine and pressed the board into it, then used that as a template to mark a paper template. It worked perfectly, the holes are in exactly the right place.

Next step it to test how it will all fit in the frame. Only then can I start painting.

Wednesday, July 03, 2024

Inspection At Theresienstadt Underpainting, Election Politics

Two very busy days. First yesterday, first listing two more works for sale on the Saatchi website, and backing up some new painting images with frames, new since July 1st!

At 11am, I started painting 'Inspection At Theresienstadt (after Fritta)'. The colours largely matched the study, but I decided to use a colour called French Yellow Ochre. This is a gritty pigment, almost like painting with wet sand. It was as frustrating as painting with wet sand too; I had to pile on the paint to get any to stick. This act was poor training, as it meant that the other parts of the painting done later in the day used too much paint, and I wasted paint by preparing too much of those colours, too.

I chose the colour because I knew it was gritty; the painting was of a sandy, muddy, concentration camp so I wanted sandy paint, and the 'French' name was an inspiration too. The overall effect is good, the transparency allows the green imprimatura to show though; but the process was unpleasant and I'll happily throw this paint away when this work is complete.

A delivery of more newsprint (blank paper I use as desk protection when painting, each painting day uses one sheet), and some cardboard L shapes, arrived in the day.

Today, I completed the underpainting. It's based on an ink drawing so I needed to add far more detail, and try to capture or keep some of the raw emotion of the original; but of course, I'm adding my own emotions (and details) here. You can see here the challenges and choices I faced:

The underpainting was complete by 15:00. I then cut some of the L-shaped lengths into cardboard corners, using hot-melt glue to make some, experimentally. It worked well.

Then, art photography. Of my Old Lazy Candle painting, and some new (better colour balanced) images of 'The Wheel Of Attraction And Repulsion'. There's quite a colour difference in the (very blue!) old vs new, the new one is an excellent match.

Plus framing that work:

It is election day tomorrow, so I will vote. The polls (which are always wrong) indicate a Labour landslide, despite their policies being the same as those of the Conservative government. The country is in a dire state due to the Conservatives. Rishi Sunak seems like an honourable and reliable politician, much like John Major was; but like Mr Major he was unwilling or unable to change direction or take radical action; he was a steadying hand after difficult times, nothing more. The country was definitively ruined by the instability and stupidity of Boris Johnson and Liz Truss. Brexit has substantially harmed the economy - though the arguments against unchecked immigration remain valid and still cause problems within the European Union itself.

I expect that every left-winger believes that Kier Starmer is lying to gain votes, and that his government will be more left wing than his stated policies (and the current government). It's hard to know what will happen. I expect that the Conservatives will lurch to the right, as they did when Tony Blair was in power, and that they will remain out of power until they regain the centre ground; though this is a less certain prediction, as much of Western World is lurching to extreme right, nationalist, governments - in panic over diminishing resources, and the tide of immigrants this can cause. Each hungry country is preparing for fight for the remaining sandwiches; this is not good (or sensible, or sustainable).

Kier Starmer's jobs are so huge that it's very likely that he will fail; not be able to grow the economy, fix the badly damaged health and social services, stop the tide of illegal immigration, or clean the polluted rivers. All of these things will require extreme measures.

Those problems are due to Brexit and its punishing cost to trade and knowledge, and, far more-so, climate change (that is specifically the historical use of more resources than is sustainable; the good times are certainly behind us but the populace remain philosophically addicted to them - welfare standards are too high for those who do not contribute to society, and too low for those that do, including nature). There is no sign that those two key things can be or will be reversed, or directly addressed. So my final prediction is that the government will fail to fix these problems, and that the high point for popularity in a new government's term will be day one.

Of course, everything will be fixed eventually, but one hopes this will happen quickly and relatively peacefully, rather than over the course of a century after a few wars and revolutions.

Monday, July 01, 2024

Studies

Another thing done today is that I made sure I'd catalogued, signed, and photographed all of these studies:

Circuit Sawing

A new idea yesterday. Part of it uses an old hard drive circuit board which I'd had hanging around for art use. I developed an idea with it in 2007 featuring a white mouse, but never haven't got round to realising it, and this idea is better. It required sawing the board with a jeweller's saw, which was not easy. There was one particular very hard component that I had to grind off with the bench grinder.

This will float over the painting panel. Rather than have it fixed to the frame I've decided to bolt it to the panel. So, I need to drill holes in the panel at exactly the right place, and attach nuts to the circuit board, as you can see above. The offcut on the right was a test for the glue, it seems to be strong, but I've added holt-melt glue around the edges too. These nuts will be hidden, this is the back. Their stainless steel will be the only part of the board to touch the painting panel. The painting will involve Vermeer.

Most of today was spent on my quarterly backups, but I also did a bit more sawing with the coping saw, cutting a new panel for a possible new 'Love is Dead' central portrait. All of the three extant versions (I can't find the first version!) look lovely in real life, but when I see the images online or digitally, they don't. I've now painted this portrait three times, but it's still not quite right. I may keep painting it forever, regularly, and make whole set of them.

A last used of the saw involved cutting the circular backing board for 'The Wheel Of Attraction And Repulsion', which has a circular resin frame from an old mirror. Last time I worked on this was May 2023 when I injured my hand badly, so working on this revives that memory. It won't have glass (I can't easily cut a glass circle) but the other parts of the frame are now complete.